i rise out of the ash
I feel numb and dumb, and unable to lay hands on any words.
Sylvia Plath, The Unabridged Journals   (via selbstvergessen)

Sonnet: to Spring

you deceive us with the crinkled green
of juvenile stars, and you beguile us with
a bland vanilla moon of maple cream:
again you tame us with your april myth.

last year you tricked us by the childish jingle
of your tinsel rains: again you try,
and find us credulous once more. A single
diabolic shower, and we cry

to see the honey flavored morning tilt
clear light across the water gilded lawn.
although another of our tears is spilt
on avaricious earth, you lure us on:

Again we are deluded and infer
That somehow we are younger than we were.

Sylvia Plath

1951

from The Unabridged Journals of Sylvia Plath (2000)

I love him to hell and back and heaven and back, and have and do and will.
The Journals of Sylvia Plath, Sylvia Plath (via sickboysgirl)
berfrois:




Sylvia Plath and Elizabeth Cantor, Nauset Beach, Cape Cod, 1952 (via)

berfrois:

Sylvia Plath and Elizabeth Cantor, Nauset Beach, Cape Cod, 1952 (via)

Original recording done for BBC Radio

Lady Lazurus

I have done it again.
One year in every ten
I manage it--

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
O my enemy.
Do I terrify?--

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else.
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.

It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

'A miracle!'
That knocks me out.
There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--

A cake of soap, 
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

lovingsylvia:

HAPPY 53rd BIRTHDAY Frieda Hughes!!!
*******************************************************************************************Full Moon and Little Frieda

A cool small evening shrunk to a dog bark and the clank of a bucket - And you listening. A spider’s web, tense for the dew’s touch. A pail lifted, still and brimming - mirror To tempt a first star to a tremor. Cows are going home in the lane there, looping the hedges with their warm wreaths of breath - A dark river of blood, many boulders, Balancing unspilled milk. ‘Moon!’ you cry suddenly, ‘Moon! Moon!’ The moon has stepped back like an artist gazing amazed at a work That points at him amazed.

—Ted Hughes, Wodwo, 1967

lovingsylvia:

HAPPY 53rd BIRTHDAY Frieda Hughes!!!

*******************************************************************************************
Full Moon and Little Frieda

A cool small evening shrunk to a dog bark and the clank of a bucket -
And you listening.
A spider’s web, tense for the dew’s touch.
A pail lifted, still and brimming - mirror
To tempt a first star to a tremor.

Cows are going home in the lane there, looping the hedges with their warm
wreaths of breath -
A dark river of blood, many boulders,
Balancing unspilled milk.
‘Moon!’ you cry suddenly, ‘Moon! Moon!’

The moon has stepped back like an artist gazing amazed at a work
That points at him amazed.

Ted HughesWodwo, 1967
the60sbazaar:

Sylvia Plath at the beach 

the60sbazaar:

Sylvia Plath at the beach